Press

For Eric Coble's A Girl's Guide to Coffee at Actors' Summit:

"However, it’s Margo Chervony as Alex whose performance is worth the  price of admission. [ . . .] Of course, the playwright gave her a star’s  turn in this script. But she’s up to everything the playwright wrote for her [ . . .] She plays an emotional roller-coaster without a moment of panic or discomfort for the audience."
   - David Ritchey, The West Side Leader

"Margo Chervony is terrific as Alex and carries the show."
    - "Uncle" Fred Dolan, Arts on the Heights, WJCU

"The likable Margo Chervony [ . . .] is everything Alex is supposed to be‒radiating smarts and passion for everything [ . . .] But her Alex really comes alive when she's bobbing and weaving with her crush  [ . . .] In his orbit, Chervony's Alex is brash and unsteady all at once, the actors absolutely convincing as too-cool 20-somethings trying very hard to appear as though they couldn't care less while their hearts swell and then break. Those are the very real moments you'll feel in your toes."   - Andrea Simakis, The Plain Dealer

"Margo Chervony plays Alex with heart. You immediately fall in love with her and find yourself vested in her relationships [ . . .] She's bright and bubbly"   - Vicky Croisant, BroadwayWorld.com

A Girl's Guide to Coffee

"Chervony's characterization of the conflicted Alex is totally believable [ . . .] nimbly executed and extremely funny [ . . .] Chervony's delivery is flawless."   - Fran Heller, Cleveland Jewish News  

Othello

 
For Othello at Cleveland Shakespeare Festival:

"Rising to fill that void is Margo Chervony as Emilia [ . . .] Chervony makes Emilia's rage and devastation deeply felt. Indeed, Chervony virtually steals the final scene"
    - Christine Howey, Cleveland inScene

"That makes all the more impressive the performance of Margo Chervony, as [ . . .] Emilia. The veteran of London's Royal Academy of Dramatic Art inhabits the role in a way distinct from many [ . . H]er ire at Iago's treachery sounds not like rote Shakespeare but like riled wife"
    - Chuck Yarborough, The Plain Dealer                              

For David Cerda's The Birds at Hell in a Handbag Productions:

"[ . . .] social critic Camille Paglia (portrayed with maximum chutzpa by Margo Chervony)"   - Tom Lawler, Chicago Theater Beat

 

For Friedrich Schiller's The Robbers at Strangeloop Theatre:

"[All] is redeemed, however, by [ . . .] swashbuckling performances, especially Margo Chervony's blazing turn as Francis."
    - Zac Thompson, Chicago Reader

The Robbers